Summary
Overview
This episode explores the 50-year battle over the Rocky statue in Philadelphia, from its creation as a movie prop in 1980 to its current placement at the top of the Philadelphia Museum of Art steps. The story examines class tensions, artistic merit debates, and what it means for a fictional character to represent an entire city, culminating in how the statue navigated modern monument reckonings.
The Birth of an Icon: Rocky's Cultural Impact
The Rocky franchise created one of cinema's most memorable training montages, featuring the protagonist running up the 72 steps of the Philadelphia Museum of Art. This sequence became so iconic that it immediately transformed into a fan practice, with people recreating the run as an homage to the film. By Rocky II, the movie itself acknowledged this phenomenon by showing Rocky joined by a group of kids running up the stairs, cementing the location's place in popular culture.
- The 1976 Rocky training montage ends with Rocky bounding up 72 steps of the Philadelphia Museum of Art, raising his fists victoriously
- People immediately began running up the steps as a fan practice in response to the film
- Rocky II acknowledged the prominence of this fan practice by having Rocky joined by kids running up the stairs
- Around four million people visit the Rocky statue every year, matching the Statue of Liberty's visitor numbers
" Until I rewatched the movie recently, I'd pretty much forgotten everything else about it. Like, this moment is my image of the film. Rocky jumping up and down in front of the museum, arms raised, all of Philly below him. "
From Movie Prop to Controversial Gift
Sylvester Stallone commissioned a bronze Rocky statue in 1980 for Rocky III, paying $53,000 instead of using cheap movie props. After filming, he offered to donate the 1,800-pound statue permanently to Philadelphia at the museum steps. However, his generous gesture immediately met fierce opposition from art elites who saw it as an ego trip and an advertisement rather than legitimate public art, setting up a decades-long cultural battle.
- Stallone paid $53,000 to artist A. Thomas Schomburg to cast the statue in bronze instead of using typical movie prop materials
- Stallone called Rocky a 'euphemism for the city of Philadelphia' and wanted the statue permanently displayed
- Opposition emerged immediately, with critics calling it an ego trip and advertisement for Stallone's films
- Philadelphia's art establishment was trying to remake the city as 'the Athens of the Western world' with a premier art scene
" It is really significant that he chose to have this be made of fine art materials and not just stuff that would be thrown into the trash bin at the end of the film shoot. "
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