Summary
Overview
Josh and Chuck explore the fascinating Victorian-era practice of floriography, or the language of flowers, where complex coded messages were sent through the type, color, condition, and presentation of flowers. This communication method was essential in Victorian high society where open expression of feelings was considered improper, and involved intricate details from the state of the flowers to how ribbons were tied and which hand received the bouquet.
Origins of Floriography in the Ottoman Empire
The tradition of sending coded messages through flowers dates back to at least the 1600s in the Ottoman Empire, where members of the harem in Constantinople developed a game called Selam. Since many couldn't read or write, they used flowers attached with rhymes and meanings to communicate. This practice was introduced to Europe through Lady Mary Wortley, a British aristocrat married to the British ambassador to Turkey, who wrote letters describing this exotic custom to friends and family back home.
- The Ottoman Empire had a flower-based communication tradition called Selam starting in the 1600s
- Members of the harem in Constantinople used flowers to communicate since many couldn't read or write
- Lady Mary Wortley, married to the British ambassador to Turkey, introduced the practice to Europe through her letters
Victorian Era Popularity and Literary Use
Floriography became especially popular among upper-class women in Victorian and Regency England, where open discussion of feelings was considered untoward. The practice was embraced by prominent authors like Jane Austen and the Brontë sisters, who used flower symbolism to develop their characters. Modern readers often miss these coded references, but Victorian readers would have immediately understood the significance of flower exchanges in these beloved novels.
- Floriography was particularly popular among upper-class women who couldn't speak openly about certain topics
- Jane Austen and the Brontë sisters incorporated floriography into their character development
- Modern readers miss these coded messages that Victorian readers would have understood
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